The book Pornografia was completed by the Polish writer Witold Gombrowicz in Argentina in 1958. Despite its

In cooperation with the French dancer and choreographer Sebastien Cormier, Anne Juren developed a dance

Code Series addresses aspects of different modalities in the production of movement, i.e. time and space,

Timon is a performative essay on patriarchy and its effects on male emotions. It is based

In the performative intervention Können Müssen Wissen – Can Must Know, fundamental parameters of artistic practice

The Point activates different images of the body in using different language approaches. The first layers

This duo is a choreographic transcription of the creative process at play in the world

In this show Anne Juren embarks on a journey through her memories: past and forgotten

Komposition is a choreographic work that provides subtle insights into the cooperation of the dancers Marianne

A choreography to an installation to a novel: the works of Vienna-based choreographer Anne Juren

To date, no one really knows what information, what knowledge a body stores in the

J’aime explores the joy inherent in dancing, being observed while dancing, and observing dance. This high-energy

The title Consumption As A Cause Of Coming Into Being is a reference to an essay entitled Destruction

The first question you can ask yourself when you see dance is this: What did

This group show of various performances transfers the principles of ready-mades and objet trouvé developed

In Tableaux Vivants the art forms interweave and allow hybrid relations to develop between the paintings, sculptures

Choreographer Anne Juren and director Annie Dorsen collaborate on Magical, a solo dance piece performed by

The Solo Oslo is in itself a choreographic anagram and the first collaboration between Juren and Rauschmeier.

The formal and content analysis of the relationship between movement and language is at the